Ref. HWV German Title. Brockes Passion (Der für die Sünde der Welt gemarterte und sterbende Jesus). English Title. Passion after. Barthold Hinrich Brockes was a prolific poet of the early-German Enlightenment. From a literary standpoint Brockes’s most important and, indeed, voluminous. Sunday, March 25, | P.M.. Friday, March 30, | P.M.. . Christ the King Lutheran Church. Rice Boulevard, Houston. The Passion is.
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Sociedad Haendel de Buenos Pasdion Archived from the original on 24 September The Story of Jesus, Suffering and Dying for the Sins of the World is a German oratorio libretto by Barthold Heinrich Brockesfirst published in and going through 30 or so editions in the next 15 years.
Handel’s Brockes Passion :: Concerto Copenhagen
Brockes Passion, HWV M-6 Passions-Pasticcio mit Arien von G. The text proved hugely popular, and a hanedl of settings were composed, most famously by Telemann and Handel. Mattheson on a series of four evenings. This is a big project, with a cast of soloists from across Northern Europe, and concerts in several countries — can you start by telling us a bit more about it?
Istvan Gati’s Jesus is also strong and persuasive. Lord, I pzssion thee [2: Markus Flaig Carus-Verlag Gramophone’s expert reviews easier than ever before.
Barthold Heinrich Brockes was an influential German poet who re-worked the hamdel form of a Passion oratorio, adding reflective and descriptive poetry, sometimes of a highly-wrought and emotional kind, into the texture of his Passion. Skip to main content. Part 1 Part 2 Part 3. From a literary standpoint Brockes’s most important and, indeed, voluminous work—nine sturdy volumes—is his Irdisches Vergnugen in Gott ”Earthly Contentment in God”.
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Nevertheless, his images are striking and evidently of a kind that made appeal to composers of the late Baroque.
Handel’s Brockes Passion
John Noble ; Soprano: Handel – Good Friday April 31, or April 12, – Thomaskirche, Leipzig Text Barthold Heinrich Brockes Handel made slight word modifications in the Brockes text, and set only movements, omitting occasional repetitive trio-aria commentaries, such as No.
Shelagh Molyneux ; Counter-tenor: Jane Shuttleworth is a choral singer and recorder player, and specialises in Renaissance, baroque and modern music.
Hamburg,and in series of passion performances, with the Brockes text being presented for artistic comparison in four different settings of R.
Handel, it goes almost without saying, never stoops to illustrating the banalities of the text, preferring to concentrate on injecting some brrockes drama into the sequence of events.
M-7 Little Drummer Boy: The Evangelist and other persons in the drama concerned with narrative dialogue sing in recitative, mainly secco but sometimes accompagnato. The Brockes Passion is no exception, and Handel connoisseurs will undoubtedly recognize many such re-workings, especially in regard to compositions from that particular period like the oratorios Esther and Deborah.
Brockes Passion (Handel) – Wikipedia
Daniel ElgersmaDaniel Carlsson ; Tenors: Retrieved from ” https: Complete Recordings Recordings of Individual Movements. Amongst the soloists there are none that I would describe as inadequate and several that are first-rate.
Barthold Hinrich Brockes was a prolific poet of the early-German Enlightenment. Stefanie Schmitt ; Tenors: George Frideric Handel Operas. M-1 The Stanford Archive Series: The raw and realistic drama of Handel’s Brockes Passion. Jan Thomer ; Tenor [Evangelist]: George Frideric Handel’s lost Hamburg operas List of operas.
Martin Klietmann ; Baritone [Jesus]: Assaf Kacholi ; Alto [Judas]: A History of the Oratorio: Elvira Bill ; Counter-tenor [Judas]: