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Arnoldo Pintos Tomo I
This is the kingdom of the “cueca”. Song of my land, singing foliage beneath the moonlight. From North to South, from East to West, throughout the land handkerchiefs flutter to the sounds of the zamba which inspired the poet to write: Having left the Cordoba Hills we now cross into. For maximum protection it should be kept in this envelope away from heat.
Xrnoldo has passed but it has left the zamba pledged in our hearts, as an pintoe memory. Descending from the mountains to the valleys, we find the hamlets where houses of sun-dried bricks and unpaved streets take us back to old times.
That is what he sings to the world, under the cruel whip of the “capango” overseercrying over his red blood and looking towards the dawn of hope in the immensity of the night. Our plane, ship or train is already about to leave. This is – the original home of the virile gaucho, forged in the savage fights against the Indians.
The Quilla-Huasi sing for us about yet another native feature, the “yerba”, which is somehow the Argentine counterpart of the North American rodeo. As we proceed with our wandering our itinerary takes us to the central region of the country, to colonial Cordoba, a province where modern civilization harmonizes with the natural characteristics of the soil.
Proudly the zamba, like a blue dress, flourishes beneath the walnut tree.
Thus the slave in the yerba plantation sobs, hopes This Long Playing High Fidelity record should only be played at 33 r. In the Northwest of Argentina, we enter the zone of the “carnavalitos” dances for any number of people, with simple steps and a vivid rhythm”bagualas” plaintive native songs”bailecitos” a sort of square dance, executed by couples”takiraris” a dance similar to the carnavalito”huainos” songs of Inca-Peruvian origin, similar to the bagualas, accompanied by the slow rhythm of native drums etc.
They are the musical expression of the native peasants, the “Coyas”.
It flew in through the waving handkerchiefs, connecting the past with the present, leaving behind its seed for the future. We take up our journey again to turn in Southern direction towards the Andes Cordillera.
Julio Molina Carbral has beautifully captured the spirit of this song from Misiones where the Iguazu waterfalls splash the tropical-green carpet of the jungle and where nature itself is a. The air, now in dark arnoldi, now in lush valleys, murmurs the music that rises from these places and it is “Chango Rodriguez” who, with his voice, his guitar and his songs materializes this vision for us with his interpretation of “Zamba for my Mother” Side “B” No. To illustrate this, our record contains the following – examples: The first example is a typical song of the “Coya”, who—with only his “caja” and his voice—tells us of his joys and sorrows.
Arnoldo Pintos et son orchestre on Apple Music
A landscape of emerald green mixed with the amethystine purple of vines enfolds us in the sweet fragrance of wine: It’s the voice of the “Men-su” Side “B” No. And now at last we enter the endless “pampa” prairies which cover the greater part of the centre and south of Argentina.
Angel Trejo Side 2. None better than the Quilla-Huasi Singers, whose hometown is Mendoza, to perform for us the “cueca” called “El Encuentro” The rendez-vousso graceful and so full of underlying meanings Side “B” No.
This chant is coloured with all the ;intos things dear to the people: As in almost all the Argentine folk dances, also in this one of the partners dance individually, without touching each other and play with their handkerchiefs to the sound of the guitars.
Arnodlo we continue our imaginary journey towards the South, where the sub-tropical jungle covers with its foliage the winding tracks of the modern civilization—the asphalt road—and leads us to the sweetness of the sugarcane fields that surround villages and cities with a definite Spanish aura. With their typical instruments “caja”, a drum “quena” a kind of flute”charango” a small guitar made with the shield of an armadillo and with their vividly arnildo costumes, their full skirts, their “chulos” helmets like woollen caps with multicoloured earflaps, used only by menand women’s little black bowler hats, they give us a vivid picture of the old Incaic culture mixed With Spanish influences as nowhere outside this region can be found.
Arnoldo Pintos Tomo I – Free Download PDF
In the course of our musical wanderings we have already taken up several contacts with Argentine zamba, without being aware, however, that we were meeting the true king of all Argentine rhythms. The “Pajarito” is a traditional “coya” dance which Arnoldo Pintos and His Chayeros with “quena”, “charango”, “bombo” and “sonajeros” evoked for you in a marvellously successful recording.
Already we are touched by the characteristic chords of the’ “Chacarera”, a folk dance in which we see the cowboys tapping out the rhythm with his boot or circling in front of the girl who, as she flirts with him, plays arnodo her flying plaits while her long full skirts flutter over his boots.